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November 26, 2006

Mobb Deep - The Infamous Samples & Breaks Case Study

Lately I’ve been thinking about the amazing and groundbreaking production on Mobb Deep’s 1995 release of The Infamous and how over ten years after its original release I still reference many of its instrumentals when looking for either  inspiration or a reminder of what I consider to be a defining example of quality Hip Hop.  For quite some time I have been in awe when trying to reconstruct just exactly what was taking place musicly and often became completely baffled when attempting to retrace any logical or linear thought process for the creation and use of the production techniques that were being used at the time. 

The mid-nineties sound was marked by a few very distincitive characteristics, mainly the innovative use of the low pass filter now commonly referred to as "low end theory", organicly sampled drums, and the signature Pete Rock-esque echoed horn.  Since I’ll be touching on the topics of drum breaks and horns at another time, today we’ll focus on the use of the low pass filter.  Someone filtering a sample is essentially removing higher frequency sounds while allowing only lower frequencies to be heard.  This along with the tweaking of resonance allows for what was originaly a very clear sample to be mutated into a muffled, bouncier sound that is often used as a bassline.  The Beatminers employed this style so much during the recording of Black Moon’s - Enta Da Stage and Smif & Wesson’s - Da Shinin’ that they are now considered the masters of the low pass filter.  Nowadays the use of this technique is pretty much obsolete with the current generation of producers prefering a cleaner, more controlled keyboard sound for  basslines.

With regards to sampling and production techniques, the two standout tracks that really come to mind from The Infamous are Havoc’s work on Trife Life where his skillful manipulation of  You Are My Starship by Norman Connors cannot be matched and Q-Tips masterful reworking of the Headhunters - I Remember I Made You Cry on the ingenious Drink Away The Pain (Situations).  Both of these classic tracks made extensive use of all these techniques resulting in arguably one of the greatest cohesive works of Hip-Hop sampling and production ever put forth. 

So here for your listening and brainbusting pleasure are the original samples side by side with the Havoc and Q-Tip versions.

Norman Connors - You Are My Starship

Mobb Deep - Trife Life (produced by Havoc)

Headhunters - I Remember I Made You Cry

Mobb Deep - Drink Away The Pain (produced by Q-Tip)

 

Related posts:

  1. The Alchemist Samples And Drums Kit
  2. Havoc Interview w/ XXL Magazine
  3. Havoc - “I’m The Boss” Sample Breakdown
  4. Crate Kings Online Store
  5. Havoc of Mobb Deep In The Studio

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6 Comments on Mobb Deep - The Infamous Samples & Breaks Case Study »

December 6, 2006

ian head @ 8:46 pm:

man, the low pass filter is the shit. why dont cats make this raw stuff anymore?? the beatnuts were nice with it too. but also i wanna point out, the other night i pulled out the second (actually 3rd i guess) mobb deep album “hell on earth” and i think the beats on there are often overlooked - there’s some sick production, with thick snares, crazy basslines and crunchy loops - there’s a couple samples they just left the static on, shit is literally grimey.

diggin this blog!!! dope shit.

December 10, 2006

Marty @ 9:38 am:

Big up for the site! If you want classic check http://musicselections.wordpress.com/. Peace

dutchmasta @ 6:03 pm:

I agree about the ‘hell on earth’ shit. that album is AS good as ‘infamous’ as far as beats are concerned, that record was extra gritty.

December 11, 2006

Semantik @ 4:29 pm:

Yeah… Hell on earth was an insane album. Their production just completely elevated and had me blown away.

December 18, 2006

Joey @ 1:36 pm:

That Headhunters song is my shit. Nice work.

April 12, 2008

Krimen @ 8:31 am:

I would like to know the song that mobb deep sampled in his song “Right back at you” from the first album The infamous,

i would be glad to know it. THanks for read

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