Quote:
Originally Posted by mrfloyd
Raff-
What Catasbeats is saying (I think) is:
-Once you have your sample in a track (lets call this Track 1), copy it to another track (lets call this track 2).
-Mute all of the tracks except for track 2.
-Remove all of the high frequencies from track 2, leaving just the low & mids.
-Play around with the EQs on track 2 trying to emphasize or create MORE bass sounds.
-How about we throw a compressor on track 2 too!
-Maybe some distortion on track 2?? Really create a BASS heavy track out of a sample that originally consisted of a good range of frequencies.
-Now unmute the rest of the tracks....play around with the EQ on track 2 a bit more to calm the bass heavy animal we created.
-BAM!!!!!
-Now we got a bass track that is without a doubt going to be in tune with the original sample!!!
I caught on to this from listening to some of Madlibs stuff. He seems to be a BIG fan of this.
This is kinda like cheating and doesnt work well on every project, but sometimes it really works well!
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I feel u on that one... if u have bass in a sample, u don't need to play a bassline at all... I like to use a vst called trilogy, but if u don't have trilogy, all u need to do is get a seven band eq, take out bands 4,5, 6, and 7.... boost the first 3 bands and manipulate it that way till u reach ur desired sound(on a separate track), and for overkill u could even further tweak the sounds by using plugins to enhance the 3 bands u already manipulated... it's very simple when u get used to it, but it won't always apply
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